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uitable care Christmastime since the little ones, everybody and anyone in the garment industry eagerly await to admit their coveted seat Oakley sunglasses for cheap  repent of the most of import events of the yr… London mode workweek! Tho' U.S. government plain mortal style junkies forebode those in the Prada cads and couturier outfits to composition on their fabulously glamorous time from the front row and the ‘who’s who’, ‘who wore what’ ‘what to wear’ from the world of London fashion.

London Fashion Week is without a doubt one of the most exciting fashion weeks in the world… as the influential Lorraine Candy, Editor of   Cheapest Oakley Sunglasses said herself “New York is slick, Milan is sexy and Paris is chic, but London is all about the new.” Every year London style workweek sizzles with an airwave or unpredictability, and this year was no exception. Of the hottest up and coming designers to the models from the moment and the new trends for Spring/ Summer 2009, London Fashion Week offered up us it at completely!
Ok we’re only just making the get in Sunglasses Hut Autumn/ Winter 2008 and have yet to purchase that all-important winter wardrobe, but it’s always good to know what’s coming around the fashion corner. So here’s a round up of Spring/ Summer 2008 as brought to us from London Fashion Week…
There’s no mistaking that both London’s new and established generation of designers clearly made their mark upon the trends for Spring/ Summer 2009, with each and every designer’s collection successfully demonstrating a strong undertone of their unique independent and creative flair.

Christopher Kane highlighted his experimental approach to fashion, bringing us a close encounter of the dinosaur kind with a highly contemporary collection of chiffon and leather pieces adorned with stegosaurus-style scales.
Giles Deacon brought the 1980’s smack-bang into the future with his confident use of black, white, silver and primary colours running throughout a Discounted Oakley Sunglasses   noticeably 80’s inspired collection of pencil skirts, dresses, skinny jeans and ballgowns. In comparison, Louise Goldin’s visionary collection of 3-D knitwear was nothing less than futuristic.
Staying true to his French roots, Charles Anastase added a hint of Victoriana to LFW with his delicately layered pieces, and other global influences could quite clearly be seen amongst Paul Smith’s collection. One of his best yet, the London designer brought us a wonderful mix of folkloric prints and North African tones.
Julien Macdonald surprised us all with his minimal use of bling amongst his sleek collection of tailored separates and column gowns, whilst John Rocha maintained his signature style in keeping his familiar Celtic references.
Although a slightly safer and more feminine collection than ever seen before by Dame Westwood, it worked. And of course, the shock tactics were out in full force with the gratuitous topless model!